Making music without knowing anything about notes, vocals or instruments would have been unthinkable up until just a few years ago. However, with software solutions for home computers, users are offered the possibility to experience music production completely. Music Maker , one of the first audio production software solutions available for home users, has for over 15 years empowered users with the tools and features necessary to make their own songs.
No need for years of piano lessons or being tortured with the recorder to learn notes at school - this easy to understand program makes professional music productions in nearly any genre and style possible. Here are a few examples of sound files that survived the culling:. These sound files made the cut because they have a mysterious allure. They contain kernels of melodic or rhythmic information and are spacious enough to be integrated with other samples.
I should also mention that these samples were themselves probably generated from other sound files in the database.
We added a degree of self-referentiality to the database by generating new samples from existing ones. We knew that whatever information we put into the database would have a real but unpredictable effect on the music generated from it.
Every sample could potentially be chosen by the system at any moment, but it was impossible to know when that might occur. After about three years of hoarding audio, we were finally satisfied that the database contained the right quantity and mix of samples. We could start thinking seriously about what kind of software processes were needed to extract the full, crazy potential from our expansive sound world.
Perhaps the most basic example of one of these machines is the kind that simply determines the duration of a sound file. Some of the machines operate on only a portion of a given sample, randomly selecting the start- and endpoints of the portion it will play. For example, perhaps we were working on a way for the system to transition smoothly from one rhythmic pattern to another.
We would load in a few sound files and listen to what the computer was doing with them. Maybe the system could record itself and then pass those recordings back into the system, automating the generative process? For instance, if I heard something—a melody, a chord progression—that had an emotional attraction for me, I would draw attention to it in the mix, repeating it and developing it further if necessary. Bill made similar interventions. This ensures that the looper will never exactly repeat itself.
The duration of the chosen segments can be fixed or variable. If the looper is set to find a new segment as soon as it finishes playing the previous segment, a glitchy rhythm can be prolonged indefinitely. Depending on the nature and length of the sound file, and the average length of the chosen segments, the resulting effects can range from subtle undulations to rather dramatic convulsions.
Several copies of the generative looper can be bundled into a larger device we call an engine. Then, create a vocal or instrumental melody that syncs up with the bassline but has a greater amount of tonal variety.
Finally, create harmony tracks that contrast with or highlight parts of your melody. To learn how to mix and master your song, scroll down! Did this summary help you? Yes No. Log in Social login does not work in incognito and private browsers.
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Download Article Explore this Article parts. Things You'll Need. Related Articles. Article Summary. Part 1. All rights reserved. This image may not be used by other entities without the express written consent of wikiHow, Inc. Select a DAW. There are many DAWs available, so you should research the one best for you, but a few popular options include: [1] X Research source Image-Line FL Studio , which is one of the more robust options in the Fruity Loops brand.
As a bonus, this DAW generally includes free updates. Ableton Live is a popular choice among composers and performers. It integrates well with supplemental hardware, like synthesizers and the Push 2 controller. Think of controllers as a physical interface for your DAW. By pressing a button on a controller, you can create sound in your DAW. Steinberg Cubase Pro is a well-balanced DAW with specialized digital tools, like the chromatic adjustment function in the Sampler Track interface.
Pro Tools is a dependable DAW that you'll find in many studios. Apple Logic Pro is relatively easy to use, with clear labels and intuitive graphical user interface. However, this DAW is only available for Apple products.
Build or buy a computer. Additionally: Prioritize laptops for live performing. Choose a computer with a high processor speed. Your computer should have a 3. This will ensure you have enough space for a sound library and that your computer runs smoothly. Collect production equipment and accessories. Although DAWs can digitally reproduce many instruments, samples of live recordings often sound more authentic. This equipment can be very expensive. Prioritize equipment from the most to least useful.
Save money over time and buy equipment one piece at a time to build your stockpile. When evaluating equipment usefulness, think about your personal skills and abilities. If you are a trained drummer, for example, a digital drum kit would likely be useful. Controllers and synthesizers can make physically interacting with your DAW much more intuitive and natural.
These days, with computer power on the rise and very affordable hardware and software, digital computer music production set ups are easily accessible to the public. Welcome to computer music production for beginners part 1: The Essentials. Even cheap desktop and laptop computers should be able to handle a recording project from recording through to mix and mastering. However, three things will determine the maximum workload capacity of your system. DAW is just the technical term for recording software.
If you want something with a bit more than just the basics, most DAWs have a free trial period in which to try them out. One of Pro Tools more handy features is the ability to manually edit audio wave forms within the track view, rather than having to export it to another program.
Logic Mac — Essentially the big brother of Garageband and another solid choice for studio recording, mixing and mastering. Logic has excellent MIDI editing capabilities and is useful in theatre production when combined with its sister program, Mainstage. DJs and performers make use of its unique session view to launch audio clips at the push of a button.
Now you need a good audio interface to handle all of the input and output of your recording.
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